Wednesday, September 23, 2015

This is the part where I review 'Me and Earl and The Dying Girl'

The concerns start with that darn title. 

‘Earl’ shouldn’t be in there, for one. He’s too much of a cipher, just another supporting character among many. Then there’s the dying girl. The film’s relationship - and indeed the characters’ relationships - with the dying girl is problematic and worthy of analysis, but we’ll get back to that. ‘Me’, though? That’s totally accurate. It’s not as catchy - “One ticket to ‘Me’, please!” - but it more succinctly captures the message, themes and perspective of MAEATDG. Whether the film’s unquestionably intimate relationship is a productive or a destructive one? Let's have a chat about that...

Friday, June 12, 2015

The conflicts, contradictions and hypocrisies of 'Jurassic World'

It's hardly irregular for blockbuster films to fail to follow through on their ideas or high concepts – many films have surrendered depth as their budgets grew higher. Others simply struggled to make good on their deliciously promising, tricksy conceits. It is relatively irregular, however, for a blockbuster film to highlight and even critique its own limitations, while also failing to transcend the very traits it has expressed disdain towards. That's the unusual dissonance to be found in Jurassic World, one of the most self-aware and hypocritical Hollywood productions you're ever likely to watch.

Saturday, May 16, 2015

The (moderately) feminist dystopia of 'Mad Max: Fury Road'

Relentless is almost the word. It's not an entirely accurate description as in Mad Max: Fury Road the motors do occasionally stop purring, and the characters do take moments to engage with each other in ways other than hyperviolence and generalised grunts. These moments are proudly fleeting, however, and for the most part the chase is also on, and the audience is advised to take a good deep breath when the Warner Brothers logo appears. Just in case.